I am planning to retire…not from expressing my feelings through the arts, but from the business of selling limited editions of some of my paintings as giclée prints. I remember when my website first started—it was exciting, yet complicated. At that time I was trying to prove to the vultures at the State Tax Board that part of my art could become a business. As you know, I rarely sold my originals, as they are like my children, wanting them to live on and be seen forever at the Butler Museum of American Art after my passing.
Thanks to the invaluable help of my dear friend, Hannah West, my website has become so much more than just a business. It has given me the opportunity to get to know you—and you to know me. Your appreciation has inspired me beyond words. It has given me the boost I needed to keep on painting my feelings.
Please forgive me if you are among those disappointed that my giclée prints are no longer available for purchase. My new year’s goal is to cut back on all activities that complicate and obligate the time I have left here on Earth. My desire is to simplify my life…to be free to wonder and wander wherever my precious path—and my horse—lead me.
I will still try to keep my website going so that you can see all my new paintings and poems as they happen. Also, my book, “KIM NOVAK: HER ART AND LIFE” will still be available and sold through the Butler Museum, which owns all the rights and profits. (You can find the signed copy here and the unsigned copy here.)
It has TRULY been an honor to share my journey with you!
❤️ Kim
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Vertigo / Vortex of Delusion

Pastel over Watercolor
The original of this piece was commissioned by Turner Classic Movies as part of their 20th anniversary celebration and was exhibited at the Hollywood Roosevelt Hotel during the 5th Annual TCM Classic Movie Festival.
“Alfred Hitchcock’s classic film, Vertigo, is the story of a man’s obsession with an unattainable love, a woman who doesn’t exist. Twice in the course of the film, she is transformed into the object of a man’s compulsive desires; first in order to carry out an evil plot of another’s greed, then in order to have a second chance to recapture and reincarnate what he believes he’s lost in order to save himself.
“I painted the blonde hair of the fantasy object of desire, Madeleine, as it begins to unravel from its core, creating a vortex of delusion. As Madeleine’s impostor, Judy submits again to being made over in the image of obsession, this time in return for love, not money. This reality proves unsustainable; her facade begins to crack, mistakes are made that set in motion a storm, which irrevocably threatened everything in its blonde, illusory path.”